Sunday, September 8, 2019

Breeding Ground (Sarah Pinborough)

I had mixed feelings about this book.

The creepiness and overall tension was done excellently. Pinborough is very vivid with the downfall of the women, especially Chloe. It started with the unexplained fatness, even though she hadn't eaten in a week. Then it increased to the bulges on her body moving under the skin. When she stocked the fridge with liver and other animal organs, it was getting pretty creepy. Then when she ate it, Pinborough really captured the disgust of it so well. As the grotesqueness of the story strengthened, so too did the tension. You knew something was wrong, but you didn't know just what. First person POV was perfect for this book because we only got to know things as Matt did. And he didn't know shit. When the fetus hit the floor, you pretty much knew anything was in bounds for Pinborough.

The aliens, or whatever they were, were done extremely well. Their description was built over time, getting just a few bits every now and then, teasing the reader, until you had a good understanding of them. One complaint I had though was not having a much better picture of them (what they can do and where they came from) by the end of the book. But I'll talk about that later. The widows were excellent monsters: giant translucent spidery creatures with banks of red eyes, telepathic powers, disease inducing bites, and who knows what else. They reminded me a little bit of the aliens from Aliens, the movie. Maybe they are easier to kill, but I think they are going to prove to be a bit more cunning, which makes them potentially that much worse. We know very little about the black male widows, and that's a shame. I know there is a second book, but the first book needs to answer some things. But I really liked these monsters, and Pinborough did an excellent job in describing them, and their by-products. The gooey translucent spider webs were an awesome touch to the creepiness factor, and the same kind of translucent goo that came out of people over time after bitten was also way cool. An excellent monster, to be sure.

I did have some issues with the book though. For one, Matt was a tool. I wanted to like him, but he just wasn't someone I could sympathize with. The big turn off for me was how he claimed to be so in love with Chloe, and really, kinda proved it at the beginning of the book. I bought that he was a good guy. But after Chloe died, he was banging Katie like three days later. He blamed it on how the world had turned upside down or whatever, but I'm sorry, that excuse rings hollow. I don't know that it was all on Matt either. I think Pinborough herself let me down there. Matt is inconsistent. At least from what I could tell. He was not the same nice guy who started the book. I don't think his change was natural, and I don't think it could be blamed on the catastrophe that happened. People's true colors come out when the hard times hit, and I don't think Matt's true colors were in the ballpark of some kind of lustful playboy. There were three women of age in this book, and he had all three of them. I didn't think that was his character, especially given the short time line between them all. I was very disappointed with this aspect of the book because it made me not trust him across the board.

While I'm talking about Matt and the women, I was also really surprised at a rated X scene in the middle of this rated R novel. Not like offended or anything, but, was the full blown description of sex with Katie really necessary? It got pretty darned detailed, and I'm not sure what it added to the story. That part had me scratching my head.

I had a few logic problems. Why did the dog go to their protected base? How did it know to go there? How did it know humans were there? Why did it sit in front of that gate for so long? I thought maybe the widows were somehow controlling it, but no. It just happened to travel all those miles to wait in front of a gate with no humans around that it could know of. Didn't make sense.

I didn't believe Rebecca would have ran in front of Nigel to protect him from a mercy killing so he could suffer dying via his widow-inflicted wounds. I'm personally glad that he did die that way, but I don't believe it was in Rebecca's character to do that. I think Pinborough isn't in touch with all of her characters, to tell you the truth. She establishes them well, but goes against their apparent natures just to feed her story line.

And what about the end where Matt and Rebecca choose to just go ahead and leave the base to travel to Edinborough on their own? And George decides to go back down by London on his own? Call me stupid, but the last time they traveled, in a much larger group, they got their asses handed to them. The first night, the widows destroyed their vehicles. Dan got bitten. Shit hit the fan. But now by the end of the book, we're just supposed to believe they can go on their own like that?

And this brings me to my biggest issue: the ending. Or lack thereof, to tell you the truth. This book did not end. It felt like a chapter ended. There was no climax or resolution to the story. We still don't know how the widows came about (they talked about hormone enhancement in food.. ha!... but even that lame theory wasn't proven in the book) or really, what happened. I know there is a sequel. Whoop de doo. I need some kind of resolution in the first book to call it a first book. Not a first half of a book, which is what this was. I don't know if I will read Feeding Ground or not. I want to know the why, but I don't know that I trust Pinborough to give it to me.

It was a hell of a ride, but endings like this one kinda piss me off. If all you want is creepiness, horror, and gore... this book is for you. If you actually like a structured story that builds to a logical ending, I'm thinking you might want to pass on this one. It started off so promising...

5 comments:

  1. Shoe,

    I loved that she had no bounds or limits for her gore. I love works that kill off kids. (That sounds a lot worse out loud than it does repeating in my head).

    We chatted on my post about Matt, but I like how you describe him as a tool. That is a great description of him. I also could not sympathize with him either. He loves this girl, she gets pregnant, gets ripped apart, and the baby is on the kitchen floor in shreds, and he acts like his world ended. Only to turn around and develop a relationship with the two women left. Now, moving on? Nothing wrong with that. People lose their life partners in horrible ways, and they never lose the love they had for them when they were here. Moving on after death is fine, you have to get through life too. I just think he built this up like he would NEVER move on and his life was over, only to be a few months in to bang bop two other women. Not to mention, he was obsessed with Katie, then kills her, and goes right after Rebecca. If I remember right, he said Rebecca wasn't ugly but also was not the definition of beauty somewhere around the plot she first popped up.

    Also, thank you for pointing out the BIG what the f- moment with Rebecca not allowing a mercy killing. It was WAY out of her genuine soft and graceful nature. I couldn't imagine her having a mean blood cell in her, let along allow someone to die so horribly when the chance to put them out of misery exists. I understand it was Nigel's fault that the shit hit the fan when it did, but Rebecca was not the character to move out of spite.

    We agree on the ending and it is a shame it ended the way it did, because the ride this novel took me on was fantastic.

    -Alexis

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  2. There's a sequel. This book was directly setting up for the sequel, that's why it ended the way it did. Just FYI.

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    1. Yeah, I get that there's a sequel and all, but I don't think that means the author gets to not really end the first book. What part of the end felt like an ending? When they split up to leave? Hardly and ending. When Nigel died? Not powerful enough. When you read a book, you are owed a story. Its that whole author/reader contract thing. A story has to have an ending. This one really didn't.

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  3. Hi Shoe,

    Yeah, the ending was anti-climatic. Even though there are more in the series, an author has an obligation to create a tight story for each book and that could mean a solid "end" with the threads laid out for the next installment or a cliff-hanger. I think in this book's case, either one would have been okay. I agree with all your points, the real problem with this book was not the monsters, which were serviceable and well done initially, but the poorly executed human characters.

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  4. I'm in complete agreement with most of your assessment, Shoe. I think "tool" is the perfect word to describe Matt, and I think that's an astute observation that Pinborough does a great job of introducing her characters, but then tries to move them like pawns to advance the story rather than letting them develop on their own. I wonder if that's because she already had some of the sequel plotted out, and felt like she needed to get the characters to a certain place in order to match up with that story line. I know in my own writing I have to be careful not to over-plot, or else it becomes too easy to ignore what my characters actually want to be doing (almost always against my wishes).

    About that rated X scene—honestly, I was surprised I didn't hate it. Normally I find gratuitous sex in writing to be cringe-worthy to the extreme, but I actually felt like Pinborough's description (vivid as it was) was pretty well written. At least, better written than some of the romance novels my friends and I used to giggle at in the library in high school.

    At any rate, I agree that the book doesn't feel at all like it comes to an end. The scene where Nigel and his crew try to throw the girls out of the gate is fantastic, but it didn't feel like a climax. Maybe because Matt was just an observer throughout most of the scene and didn't initiate any of the action on his own. He never really goes out of his way to confront the widows, or even to actively go after some goal he wants (which brings up the question of what he does want—because I'm honestly not sure). Somehow it still was a hell of a ride, like you said, which I think speaks to Pinborough's ability to create great tension even if we're not sure where her characters are going and why.

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